Jung Tae Kyung summarizes villages, fields, and piers in audacious sketches, composing his scenes with motifs such as flowers, trees, or bodies. The most eye-catching elements are the caliber of the brushwork and color sensation alongside change and diversity in subject matter. This style and be defined as moderate expressionism using broad brushes and applying intense hues in swift touches. Lineal expression that is like thick brush strokes in ink painting is quite impressive, but coloration stands out, as indicated by his career of absorbing color abstraction once. Things depicted with deft brushwork look antique, simple yet highly refined, and strength and dynamism are sensed in their outlines. jung often uses oil sticks for depictions while apply acrylic and oil paints to a back ground. soft, strong, and dark lines exude a rich pictorial quality along with rubbed or erased marks. Although he at times produces non-representational works, he is surely an artist sensitive fundamentally to form. As seen in his primary subject matter such as natural things about him, the body, and landscape, in succinct sketches, we come to understand he enjoys practical renditions rather than seeking abstract ideas. Jung once symbolized the home of his mind and the ultimate purpose of his art with the poetic theme, I go home. In works on display at the show however, he extends the scope of his interest to the matter of his identity with where is my friend's home. This endeavors are read as gestures to grasp others while befriending artists in the Bangcheon Market. So his motifs appear more appealing. He deals deftly with any material and subject matter with audacious dexterity. Curated by KIM Youngdong